faculty, regime’s censure machinery look down on him, at the same time that people from all Spain take his songs as battle anthems, and he became a symbol, while also get international fame, specially in France, but also in USA, Japan, Italy… Although he was not a former, he collaborated with the songwriters Catalan collective Setze Jutges (Sixteen Judges). Despite all this, Raimon is more than a political singer: he sang songs about fear, about man, about peace, love, friendship, and return to Catalan people (and to the rest of Spain) the great Catalan poetry: from XVI’s, as Joan Timoneda or Ausiàs March, to contemporary as Pere Quart or, his favourite, Salvador Espriu.
Ara que som junts
diré el que tu i jo sabem
i que sovint oblidem:
Hem vist la por
ser llei per a tots.
Hem vist la sang
-que sols fa sang-
ser llei del món.
No,
jo dic no,
diguem no.
Nosaltres no som d’eixe món.
Hem vist la fam
ser pa
per a tots*.
Hem vist qu’han fet
callar a molts
homes plens de raó**.
No,
jo dic no,
diguem no.
Nosaltres no som d’eixe món.
Now that we’re together/ I’ll say what you and I know/ and often forget:// We’ve seen fear/ be the law for everybody./ We’ve seen blood/ -which begets only blood-/ be the law of the world.// No,/ I say no,/ let’s say no./ We don’t belong to that world.// We’ve seen hunger/ be the bread/ for everybody./ We’ve seen they do/ shut up many/ men of reason.// No,…
NOTE:
Francoist censorship made Raimon change some verses, those that are marked with an asterisk. The verses originals were:
Hem vist la fam
ser pa
dels treballadors.
Hem vist tancats
a la presó
homes plens de raó.
We’ve seen hunger/ be the bread/ of the workers.// We’ve seen/ locked in prison/ men full of wisdom.//
So, when Raimon says We’ve seen they do/ shut up many/ men of reason.//, he’s making a denounce to censorship.
La Nova Cançó Catalana (New Catalan Song) was a very important songwriter movement that pretended, making of Catalan their expression way, preserve and vindicate the language of Catalonia. Teresa Rebull, a Civil War exhiled, was the forerunner, but singer Raimon was the real beginner. The movement, principally, had two differents tendences: Els Setze Jutges (Sixteen Judges), inspired by French songwriters, and El Grup de Folk (Folk Group), North-American folk-singers inspiration. Jutges were moreworried about Catalan poetry and refused to use Catalonia’s folklore due to the populist use that the dictatorship was making with everySpanish folklore; but Grup de Folk like to combine old Catalans songswith North-American folk-songs. But in the beginnings of 70s, both were disolved, but the movement stood. New Catalan Song was imitated by others regional songwriters movement, borning in this way the New Songs from Basque Country, Castilia, Galicia, Andalucia… Some of the names of this movements are songwriters as Raimon, Lluís Llach, María del Mar Bonet, Pau Riba, Marina Rossell, Joan Manuel Serrat, Albert Batiste, Pi de la Serra, Ovidi Montllor; folk-groups as Al Tall and UC; folk-rock groups as Falsterbo 3 and Esquirols; and progresive and psychedelic rock bands as Companya Elèctrica Dharma or Maquina!… among others.